Le corps objectif et le corps textuel : les identités perverses dans Hosanna de Michel Tremblay

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Title in English The objective and the text body: perverse identities in the theatre play Hosanna by Michela Tremblay
Authors

NOVOTNÁ Šárka

Year of publication 2012
Type Appeared in Conference without Proceedings
MU Faculty or unit

Faculty of Arts

Citation
Description This text tries to restore perverse identities in the theatre play Hosanna by Michel Tremblay. We chose two concepts for its description. The first one presents the text body, it means the text space in the process of recent creation, opened with a dialog between the concepts of classical antique tragedy and some very concrete time and spatial coordinates of the play s beginning. The second one is the objective body (the flesh of the protagonist) related with the primacy of the whole perception, but also the articulation of another conflictive dialectics.

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